Art_Plus – jp Performance Art Project 2012

Vio- Park Gekijo (Kariyahara, Matsumoto-City)   

July 2012

my Title :  Kizuna

kizuna01 (Medium) kizuna02 (Medium) kizuna03 (Medium) kizuna04 (Medium) kizuna05 (Medium) aor01 kizuna06 (Medium) kizuna07 (Medium) kizuna08 (Medium) kizuna09 (Medium) kizuna10 (Medium)


ASIATOPIA International Performance Art Festival

ASIATOPIA International Performance Art Festival 2011

after i’m back from FOI . Sigapore I went to Chaing mai Northen of Thailand

at that time Bangkok was Floods

Communicating ideas and emotions through performance can be complicated. Asiatopia 13 was saturated with a breadth of imagery, abstract, ephemeral and personal in nature—sometimes exhausting to take in. I viewed the work through the prism and problematics of critique. For the artists, I imagine their critiques are of ideas, the self, the law and bureaucracy. In some cultures it is difficult or impossible to question authority let alone one’s own autonomy. However, performance allows a retreat into the poetics of a symbolic language which transcends both words and borders. This can reveal an artist’s inner anxieties communicated as performance, albeit in only one direction, from the artist to the audience. The artist can also seek to unravel their own performance language.

Nopawan Sirivejkul throws marbles at the start of her piece signifying that she’s playing with her life. She’s surprised when I later explain that in English “losing your marbles” is akin to becoming mentally unhinged. This highlighted the idea of performance as culturally coded and always at risk of being lost in translation.

Suan Buak Haad Park was brimming with a vibrant life of its own, people enjoying Chiang Mai’s temperate climate: running, walking dogs and doing other parky things. Having the festival in a park made it a public event capturing a diverse audience who at times were unaware of what was actually happening, though the artists and the details of the event were announced in Thai and English. The public were truly engaged by the works presented in a country where, as elsewhere, sound financial support is scarce for performance art while traditional art forms are favoured. Artists in Asiatopia 13 largely self-funded their participation with some having additional support from their respective countries.

by ; Yiorgos Zafiriou

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